As the audio field makes an attempt to re-open up itself to the earth of award reveals, one of the next major names on the yearly docket is the MTV Movie Songs Awards, at present on the calendar for August 30.

There is certainly a amount of issues for the VMAs to remedy prior to they go reside — specifically, how they system to pull off their intended set up at Brooklyn’s Barclays Middle even though New York and the state at significant are nonetheless battling to navigate how to maintain stay functions of any ability in a publish-COVID 19 planet. But one particular problem is expected to be answered future 7 days, with the announcement of this year’s VMA nominees scheduled for July 30.

Before those people are introduced, Billboard required to break down the probable nominees for the event’s marquee honor: online video of the 12 months. Here is how we see it, setting up with the most probably picks and ending with the longshots.

Very Very likely

Harry Types, “Watermelon Sugar” (dir. Bradley & Pablo) out?v=E07s5ZYygMg

Not numerous 2020 videos can declare to have specified their accompanying music a 2nd daily life that eventually exceeded its very first, but that is just what this Bradley & Pablo-filmed clip did for Harry Styles’ “Watermelon Sugar” — catapulting it again onto the Scorching 100, and sparking a rise that’s now led it into the chart’s best 10. The contact-significant visible undoubtedly struck a nerve through a socially distanced summer season, and its appropriately sweet heat-temperature vibes make it probably the online video from this yr most probable to end up legendary for its creator.

Lady Gaga & Ariana Grande, “Rain on Me” (dir. Robert Rodriguez)

A person of the year’s most-predicted video clips (helmed by action auteur Robert Rodriguez) did not disappoint, delighting admirers of both of those megastars with its futuristic melodrama and storm-soaked choreography. Gaga and Grande already have really the history at the VMAs, with a blended 18 Moon Human being statues, like a single former video clip of the yr acquire for Gaga (“Bad Romance,” 2009) and nominations in the category for Grande in each of the previous two many years (“No Tears Still left to Cry,” 2018 and “Thank U, Future,” 2019).

The Weeknd, “Blinding Lights” (dir. Anton Tammi)

Just one of the year’s most important and best smashes — one particular nevertheless proving unshakeable at radio — was specified a smooth and disturbing visual befitting of the remaining-subject pop star. (It was basically element of a visual trilogy, alongside with fellow Immediately after Hours singles “Heartless” and “In Your Eyes,” all of which could be in consideration.) The Weeknd earlier scored a movie of the yr nod in 2017, for the star-studded accompaniment to Starboy one “Reminder.”

Potential feat. Drake, “Daily life Is Very good” (dir. Director X)

An motivated imagining of two of the major rap stars in the earth living (and loving) existence as performing stiffs, this clip from Director X played a significant aspect in helping “Life Is Very good” debut at No. 2 on the Very hot 100 — in which it received caught at the rear of Roddy Ricch’s “The Box” for eight weeks. Drake, already a 3-time video clip of the calendar year nominee, could also receive consideration for the dwelling-shot video clip to his have chart-topping solo smash, “Toosie Slide.”

Doja Cat, “Say So” (dir. Hannah Lux Davis)

Just one of the year’s breakaway pop hits was specified a big enhance towards escape velocity by its gauzy, Hannah Lux Davis-shot video, which blended a disco-days throwback vibe with choreography taken straight from TikTok. Whether or not the controversy encompassing Doja Cat’s unpleasant associations — each skillfully and throughout her Web downtime — conclusion up hurting the video’s likelihood continue being to be witnessed.

Taylor Swift, “The Person” (dir. Taylor Swift)

It wasn’t hooked up to the greatest pop hit off her Lover album by any suggests, but Taylor Swift even now earned her truthful share of headlines for her “The Man” video clip — which observed a closely created-up version of the megastar trying out the titular function, using on his yacht, executing entire body shots and manspreading like there was no tomorrow. Presented that she was final year’s VOTY winner for “You Require to Calm Down,” yet another nomination this 12 months seems highly probable for the buzzy (and self-directed) clip.


Billie Eilish, “Anything I Required” (dir. Billie Eilish) at?v=EgBJmlPo8Xw

Last year’s most effective new artist winner has only gotten greater in the 12 months considering that, and the moody, dreamlike clip for Billie’s second Sizzling 100 major 10 hit — directed by Eilish herself — was a touching visual testomony to the bond in between her and brother/collaborator Finneas.

Jonas Brothers, “What a Male Gotta Do” (dir. Joseph Kahn)

It wasn’t as big as last year’s “Sucker,” but “What a Man Gotta Do” definitely captivated the guy-band’s fanbase with its recreation of scenes from movie classics like Grease and Dangerous Small business. Could it make it two decades in a row with video clip of the yr nods for the JoBros?

Write-up Malone, “Circles” (dir. Colin Tilley)

The fantasy-themed movie for Publish Malone’s “Circles” was not always just one of the year’s most effective video clips — Post’s selection of write-up-Game of Thrones visual themes remains puzzling for the mid-tempo separation song  — but the song was so large that it might not make any difference, hitting No. 1 late previous 12 months and however hanging all around the leading 20 of the Incredibly hot 100 this July.

Dua Lipa, “Do not Start off Now” (dir. Nabil Elderkin)

Dua has established herself one particular of the most partaking pop stars of recent years when it arrives to creatively imagined and thoughtfully executed new music movies. “Will not Begin Now” isn’t her most effective clip — visuals for fellow Long term Nostalgia singles “Actual physical” and “Split My Coronary heart” have been much more powerful, and may possibly also be in VOTY competition — but it was her major hit, climbing to No. 2 on the Scorching 100 and catapulting her to a new degree of stardom.

Camila Cabello feat. DaBaby, “My Oh My” (dir. Dave Meyers) at?v=6fd2kkLmSDQ

The Golden Age Hollywood-set, largely black-and-white-shot video clip for Camila Cabello’s “My Oh My” marked a type of unofficial sequel to the Telenovela drama of her solo breakout clip “Havana,” a 2018 winner for video clip of the calendar year. Co-star DaBaby could be in rivalry for his own 2020 smash, the Warm 100-conquering “Rockstar” along with Roddy Ricch (who, in change, could also contend with his own 11-week No. 1, “The Box”).

Travis Scott, “Best in the Area” (dir. Dave Meyers & Travis Scott)

No person does casual psychedelia as efficiently as Travis Scott, and his “Greatest in the Area” clip was a generally trippy visible undertaking that aided the accompanying single develop into his first to debut at No. 1 on the Warm 100.

BTS, “On” (dir. YongSeok Choi) at?v=mPVDGOVjRQ0

A K-pop video has in no way been nominated for video clip of the calendar year at the VMAs, but provided the at any time-escalating scale of their productions and their fanbase, it would not be shocking if BTS’ most up-to-date panoramic YouTube file-breaker is the very first.

Selena Gomez, “Get rid of You to Like Me” (dir. Sophie Muller) at?v=zlJDTxahav0

It feels like it came out a rather very long time in the past in contrast to numerous of these other nominees, but the intimately shot black-and-white clip for Selena Gomez’s initially Hot 100 No. 1 — helmed by a person of the all-time tunes online video greats in Sophie Muller — stays a striking and beloved pop online video.

Extensive Photographs

Poor Bunny, “Yo Perreo Sola” (dir. Terrible Bunny & Stillz) out?v=GtSRKwDCaZM

As with K-pop, we have hardly ever had a Spanish-language video of the year nominee, though Ricky Martin (“Livin’ La Vida Loca,” 1999) and Shakira (“Hips Really don’t Lie,” 2006) were each nominated for English-language singles. With his soaring international superstardom, Bad Bunny could break the seal this yr, and “Yo Perreo Sola” — that includes its star blurring gender lines to make a statement in opposition to prejudice and harassment — rightfully drew a great offer of favourable notice.

Blackpink, “How You Like That” (dir. Web optimization Hyun-seung) at?v=ioNng23DkIM

When Blackpink have not really gotten the intercontinental award show appears that their fellow South Korean stars in BTS have, their films and popularity are equally unignorable — the barnstorming “How You Like That” also shattered a number of marks on YouTube on its June debut.

Lil Baby, “Emotionally Scarred” (dir. Keemotion) out?v=iXUPeEuM1CM

Lil Toddler jumped to hip-hop’s A-record in 2020 with a sequence of hit singles and well-known tunes video clips. The best in both of those categories might be the traumatized “Emotionally Scarred,” whose artfully staged visual neatly places the target on its star — when its track record broadcasts an essential security concept for the 12 months of COVID-19.

Lil Nas X, “Panini” (dir. Mike Diva)

It may not have been pretty as unavoidable as past year’s VOTY-nominated, era-defining “Aged Town Street,” but the fantastical sci-fi of Lil Nas X’s “Panini” still built for just one the extra noteworthy clips of the previous 12 months, and has racked up practically 300 million views on YouTube.

Eminem feat. Juice WRLD, “Godzilla” (dir. Cole Bennett)

Eminem’s first collaboration with star director Cole Bennett was a memorably (and appropriately) tipsy visual, and its VOTY circumstance might be served by the two Eminem’s legacy as a two-time winner of the award (“The Authentic Trim Shady,” 2000 and “With no Me,” 2002) and passion for showcased singer/rapper Juice WRLD following his demise late past yr.

Jack Harlow, “Whats Poppin” (dir. Cole Bennett) out?v=w9uWPBDHEKE

Another Cole Bennett clip — but fairly than one particular pairing two established stars, this a single assisted make a initially-time hitmaker out of Louisville MC Jack Harlow with its clever visuals showcasing the rapper’s likable identity.